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In the 1920s, European filmmakers tended to use science fiction for prediction and social commentary, as can be seen in German films such as Metropolis ( 1927) and Frau im Mond ( 1929). Taking a more adventurous tack, 20,000 Leagues Under the Sea ( 1916) is a film based on Jules Verne’s famous novel of a wondrous submarine and its vengeful captain.
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Hyde (1920), based on the psychological tale by Robert Louis Stevenson. Examples of this are Frankenstein ( 1910), a film adaptation of Mary Shelley's novel, and Dr. Several early films merged the science fiction and horror genres. In 1902, Georges Méliès released Le Voyage dans la Lune, generally considered the first science fiction film, and a film that used early trick photography to depict a spacecraft's journey to the Moon. They usually had a technological theme and were often intended to be humorous.
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Science fiction films appeared early in the silent film era, typically as short films shot in black and white, sometimes with colour tinting. See also: List of science fiction films before 1920 and List of science fiction films of the 1920s Finally, alien and unfamiliar images are juxtaposed, as in The Deadly Mantis, when a giant praying mantis is shown climbing the Washington Monument.Ĭultural theorist Scott Bukatman has proposed that science fiction film allows contemporary culture to witness an expression of the sublime, be it through exaggerated scale, apocalypse or transcendence. Strangelove, the distortion of the humans make the familiar images seem more alien. As well, familiar images become alien, as in the films Repo Man and Liquid Sky. This clash is implemented when alien images become familiar, as in A Clockwork Orange, when the repetitions of the Korova Milkbar make the alien decor seem more familiar. The visual style of science fiction film is characterized by a clash between alien and familiar images. However, there are numerous well-known examples of science fiction horror films, epitomized by such pictures as Frankenstein and Alien. This definition suggests a continuum between (real-world) empiricism and ( supernatural) transcendentalism, with science fiction film on the side of empiricism, and happy film and sad film on the side of transcendentalism. Science fiction film is a film genre which emphasizes actual, extrapolative, or 2.0 speculative science and the empirical method, interacting in a social context with the lesser emphasized, but still present, transcendentalism of magic and religion, in an attempt to reconcile man with the unknown (Sobchack 63).